Innsendt omtale av daguerreotypisten C.F. Stelzner på side 1 i avisen den Christiania Intelligenssedler 21.08.1843 (Oslo). Omtalen nevner høy kvalitet som langt overgår det man har sett i Christiania. Særlig nevnes gulltoning og de fargetoner som ikke er blyaktige. Den galvaniske forgyllinger også nevnt til å frembringe foruten varigheten en interessant rød farge.
Delivered review about daguerreotypist C.F.Stelzner's daguerreotypes on the first page in newspaper Christiania Intelligenssedler, August 21st, 1843. The review praises the highest quality, and pleasant tonality different from the usual lead-grey. Some of it is due to the newest method of guilding by galvanic process which, besides permanency also is responsible for the interesting red tonality.
The Author of the review is anonymous but may well have been H.T. Winther who was the best local authority on the techniques of photography who claimed to have seen daguerreotype portraits made in Paris, Berlin, London and Stockholm. He is especially preoccupied with the tonality aspects he usually was so critical about in his comments about daguerreotypes. Another clue to his identity is his mention of the galvanic process Winther was well familiar with as he in 1843 published Kort Fremstilling af Frankensteins Hydroelektriske Contactforgyldning og Forsølving, a printed account of the method.
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Innsendt omtale av daguerreotypisten C.F. Stelzner på side 1 i avisen den Christiania Intelligenssedler 21.08.1843 (Oslo). Omtalen nevner høy kvalitet som langt overgår det man har sett i Christiania. Særlig nevnes gulltoning og de fargetoner som ikke er blyaktige. Den galvaniske forgyllinger også nevnt til å frembringe foruten varigheten en interessant rød farge.
Delivered review about daguerreotypist C.F.Stelzner's daguerreotypes on the first page in newspaper Christiania Intelligenssedler, August 21st, 1843. The review praises the highest quality, and pleasant tonality different from the usual lead-grey. Some of it is due to the newest method of guilding by galvanic process which, besides permanency also is responsible for the interesting red tonality.
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