Dauerleihgabe der Höheren Graphischen- Bundes- Lehr- und Versuchsanstalt Wien
Hodnocení
Původ
Popis obrázku
Porträt des Redakteurs Reitmayer, um 1850.
Název předmětu
Klíčové slovo techniky
Daguerreotypie
links
Stereo desky
Ne
Sbírka
Identifikátor
Albertina, Austria
Popis
Der überwiegende Teil des Daguerreotypiebestandes kam im Jahr 2000 als Dauerleihgabe der Höheren Graphischen Bundes- Lehr- und Versuchsanstalt in die Albertina. Durch Neuankäufe bedeutender Daguerreotypien wurde die Sammlung in den letzten Jahren gezielt vertieft und erweitert.
Tvůrce
Jméno
Mutterer, Albin
notes
1826 - 1873
“(1826-1873) Schuhwichserzeuger, dann Fotograf. Geb. in Krotzingen/Schwarzwald, 1840 erste Daguerreotypien in Wien, 1848 erstes Atelier in Wien gemeldet, gest. in Wien, nach dem Tod Weiterführung des Ateliers durch Bruder Josef M. — Bekannter Wiener Fotograf in den 50er u. 60er Jahren, dessen Spezialität ‘Toten-Photographien‘ waren, wendete alle zeitgenössischen Verfahren an: Daguerreotypie, Kalotypie, Salzpapier, Nasses Kollodium.“ in: Otto Hochreiter, Timm Starl, “Lexikon zur österreichischen Fotografie“, in: Geschichte der Fotografie in Österreich, Band 2, hrsg. von Otto Hochreiter und Timm Starl im Auftrag des Vereins zur Erarbeitung der Geschichte der Fotografie in Österreich, Ausst.-Kat., Bad Ischl 1983, 93-209, 158
Ohodnocení
Předchozí pozměňování
Ano
Ošetřeno
Ano
Datum pozměňování - začátek
1960
Datum pozměňování - konec
2000
Poznámky
provisorische Kartonbehausung
Znaky
Zůstává na desce; Uzavřeno, improvizované a atypické uložení (adjustace); Vážné odření
Albin Mutterer was well-known in Vienna for his portrait photographs of the wealthy society as well as his portraits of deceased persons. Mutterer took portraits of the dead not only if they would appear to be asleep, but apparently if they would be alive with the eyes wide open and propped before the camera. The Albertina also owns a salt-print photograph of the editor Reitmayer which was made in 1864 and which is considered today as one of the most astonishing portraits of a deceased. However, there are conspiciously similarities between the salt print and this daguerreotype. My research on Mutterer's techniques show that the portrait of 1864 is actually a copy of the daguerreotype. I wrote a paper on this topic which I would like to share with Daguerreobase. My research paper can be downloaded here: https://www.essex.ac.uk/arthistory/research/pdfs/rebus-issue-7/munforte.pdf
Albin Mutterer was well-known in Vienna for his portrait photographs of the wealthy society as well as his portraits of deceased persons. Mutterer took portraits of the dead not only if they would appear to be asleep, but apparently if they would be alive with the eyes wide open and propped before the camera. The Albertina also owns a salt-print photograph of the editor Reitmayer which was made in 1864 and which is considered today as one of the most astonishing portraits of a deceased. However, there are conspiciously similarities between the salt print and this daguerreotype. My research on Mutterer's techniques show that the portrait of 1864 is actually a copy of the daguerreotype. I wrote a paper on this topic which I would like to share with Daguerreobase. My research paper can be downloaded here: https://www.essex.ac.uk/arthistory/research/pdfs/rebus-issue-7/munforte.pdf
Poznámky (komentáře)
Poznámky (komentáře)
Albin Mutterer was well-known in Vienna for his portrait photographs of the wealthy society as well as his portraits of deceased persons. Mutterer took portraits of the dead not only if they would appear to be asleep, but apparently if they would be alive with the eyes wide open and propped before the camera. The Albertina also owns a salt-print photograph of the editor Reitmayer which was made in 1864 and which is considered today as one of the most astonishing portraits of a deceased. However, there are conspiciously similarities between the salt print and this daguerreotype. My research on Mutterer's techniques show that the portrait of 1864 is actually a copy of the daguerreotype. I wrote a paper on this topic which I would like to share with Daguerreobase. My research paper can be downloaded here: https://www.essex.ac.uk/arthistory/research/pdfs/rebus-issue-7/munforte.pdf
Albin Mutterer was well-known in Vienna for his portrait photographs of the wealthy society as well as his portraits of deceased persons. Mutterer took portraits of the dead not only if they would appear to be asleep, but apparently if they would be alive with the eyes wide open and propped before the camera. The Albertina also owns a salt-print photograph of the editor Reitmayer which was made in 1864 and which is considered today as one of the most astonishing portraits of a deceased. However, there are conspiciously similarities between the salt print and this daguerreotype. My research on Mutterer's techniques show that the portrait of 1864 is actually a copy of the daguerreotype. I wrote a paper on this topic which I would like to share with Daguerreobase. My research paper can be downloaded here: https://www.essex.ac.uk/arthistory/research/pdfs/rebus-issue-7/munforte.pdf